Craxi Speciale Tg1 - of January 23, 2011
Di Luca De Fusco
by the editorial staff Special Services
You can tell the story of Craxi as an ancient myth, you can use the theories of the great anthropologist Rene Girard on the scapegoat for reasoning about Craxi like Oedipus or Job?
Tries De Luca Fusco (theater director said, ex-director of the Teatro Stabile del Veneto, neodirettore del Teatro Stabile di Napoli) with the documentary "Craxi, praise the scapegoat", transmitted in the cycle organized in collaboration between special and TG1 Raicinema. De Fusco
discovers surprising similarities between Craxi and big myths.
According to Girard, the man lives periodic sacrificial crises, moments of crisis in which a man, often a former head dethroned, it appears to be guilty of the worst ills, as if the entire crisis depended on one person. "The fate of the protagonists of Italian political life is inherently tragic," said Claudio Petruccioli, recalling the evening of the coins against Craxi as the day of the suicide of the Italian left. Converge on this thesis, many years later, leaders or leading figures of the Italian left then divided by Martelli to Ranieri, the Mafai De Michelis. A tribute to Craxi, then but not an 'acquittal: the Girard says that the scapegoat is a part of the community, who are also charged and then blame her, this injustice is ancient, barbaric "pay for everyone. "
by the editorial staff Special Services
You can tell the story of Craxi as an ancient myth, you can use the theories of the great anthropologist Rene Girard on the scapegoat for reasoning about Craxi like Oedipus or Job?
Tries De Luca Fusco (theater director said, ex-director of the Teatro Stabile del Veneto, neodirettore del Teatro Stabile di Napoli) with the documentary "Craxi, praise the scapegoat", transmitted in the cycle organized in collaboration between special and TG1 Raicinema. De Fusco
discovers surprising similarities between Craxi and big myths.
According to Girard, the man lives periodic sacrificial crises, moments of crisis in which a man, often a former head dethroned, it appears to be guilty of the worst ills, as if the entire crisis depended on one person. "The fate of the protagonists of Italian political life is inherently tragic," said Claudio Petruccioli, recalling the evening of the coins against Craxi as the day of the suicide of the Italian left. Converge on this thesis, many years later, leaders or leading figures of the Italian left then divided by Martelli to Ranieri, the Mafai De Michelis. A tribute to Craxi, then but not an 'acquittal: the Girard says that the scapegoat is a part of the community, who are also charged and then blame her, this injustice is ancient, barbaric "pay for everyone. "
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